Cinema experimental

Mixture of subjects. Knowing, to say it with Pasolini, is heresy; moving from one heterogeneous system to another is what he has always sought in novels, poems and especially in films.

Toni D’Angela, La sorte funesta e lo splendore del fiore

Martin Pawley, Pinky y la cuestión racial

Eduardo A. Russo, Kazan y los bordes del noir: sobre Panic in the Streets

Toni D’Angela, Panic in the Streets o della narrazione intensiva

Ana Daniela De Souza Gillone, ¡Viva Zapata! reverso

Isaac León Frías, On the Waterfront: la propensión barroca

Toni D’Angela, Barthes, il vaccino dalla verità e la delicatezza. On the Waterfront

Eirik Frisvold Hanssen, Pioneer spirit: Wild River

Margarida Assis, To Be and Not To Be: America America

Carlos Losilla, Diez notas breves alrededor de The Arrangement: sobre la cuestión del fragmento

Quim Casas, Kazan y The Visitors en el nuevo mapa del cine norteamericano

Mireia Iniesta Navarro, Reclusión y eterno retorno del cine contemporáneo

Edited by Carlos Losilla and Toni D’Angela

Raquel Schefer & Sérgio Dias Branco, Ousmane Sembène: Inverting the Colonial Gaze

Mary Jane Androne, Work and Economic Change in Sembène’s Films 

Sérgio Dias Branco, Land and Power: The Landscapes of Ousmane Sembène’s Post-Colonial Cinema

M. Gail Hamner, Mask and Materiality in Ousmane Sembène’s Black Girl 

Jayson Baker, Black Girl and Global Media Culture 

Eddy Troy, Images at Work: Ousmane Sembène’s Feminist Film Aesthetics

Savrina Chinien, Ousmane Sembène: The Throes of Postcolonialism?

Edited by Raquel Schefer and Sérgio Dias Branco

Salomé Lopes Coelho, Mariana Cunha & Angela Prysthon, Nature/Ch’ixi/Culture and the Cinemas of Latin America: An Introduction

Angela Prysthon & Lucca Nicoleli, Botanical Offerings, Plants as Gifts, Experimental Cinema and the World of Claudio Caldini

Paula Bertúa, Herbaria : Essays for a Material and Postnaturalist Memory of Botany and Film

Salomé Lopes Coelho, Los ritmos de la materia más-que-humana en la serie de films eco-revelados Metarretratos, de Azucena Losana

Salomé Lopes Coelho, De la planta a la pantalla: Diálogo con Azucena Losana a partir de su proyecto Metarretratos

Catarina Andrade & Álvaro Brito, Re-existence Through Cosmopoetics: A Decolonial Approach to Contemporary Cinema

Marcos Aurélio Felipe, ETÃN BË TALI BU: apontamentos sobre dimensões cosmofílmicas indígenas de Abya Yala

Constanza Ceresa, El cine como una experiencia situada: entrevista a Jeannette Muñoz

Federico Windhausen, Slow Onset: A Brief Consideration of Guillermo Moncayo’s Echo Chamber

Pedro Bezerra Melo, Irreconciliado e insubmissio: a estética do Colectivo Los Ingrávidos

Sebastian Wiedemann & Byron Davies, Ecologías post-naturales del cine experimental latinoamericano reciente: un diálogo

Erin Wilkerson, Feral Filmmaking: Wilding Cinema as a Decolonial Act

Pedro Urano, Becoming moita

Edited by Salomé Lopes Coelho, Mariana Cunha, Angela Prysthon

« La bonne distance, le sens du sacré ». Conversation entre Régis Hébraud, Raquel Schefer et Salomé Lopes Coelho

Mark Rappaport, MY VOLCANO/YOUR VOLCANO

Vanessa Nicolazic, Vincent Sorrel & Nicolas Tixier, Flaner les rues, relier des lieux. Les bal(l)ades grenobloises d’Aaton

R. Bruce Elder, Plotinus, Alfred North Whitehead, Electromorphic Art, and Feminine Ecopoetics

Toni D’Angela, Come in uno specchio. Da Godard a Godard