Peter Kubelka: I met Brakhage the first time in 1958, on the occasion of the World Exhibition in Brussels, which included an experimental film competition. Of course, you know I always hated the word “experimental” – because I simply consider myself a filmmaker, period.
Mixture of subjects. Knowing, to say it with Pasolini, is heresy; moving from one heterogeneous system to another is what he has always sought in novels, poems and especially in films.
Toni D’Angela, La sorte funesta e lo splendore del fiore
Martin Pawley, Pinky y la cuestión racial
Eduardo A. Russo, Kazan y los bordes del noir: sobre Panic in the Streets
Toni D’Angela, Panic in the Streets o della narrazione intensiva
Ana Daniela De Souza Gillone, ¡Viva Zapata! reverso
Isaac León Frías, On the Waterfront: la propensión barroca
Toni D’Angela, Barthes, il vaccino dalla verità e la delicatezza. On the Waterfront
Eirik Frisvold Hanssen, Pioneer spirit: Wild River
Margarida Assis, To Be and Not To Be: America America
Carlos Losilla, Diez notas breves alrededor de The Arrangement: sobre la cuestión del fragmento
Quim Casas, Kazan y The Visitors en el nuevo mapa del cine norteamericano
Mireia Iniesta Navarro, Reclusión y eterno retorno del cine contemporáneo
Edited by Carlos Losilla and Toni D’Angela
Raquel Schefer & Sérgio Dias Branco, Ousmane Sembène: Inverting the Colonial Gaze
Mary Jane Androne, Work and Economic Change in Sembène’s Films
Sérgio Dias Branco, Land and Power: The Landscapes of Ousmane Sembène’s Post-Colonial Cinema
M. Gail Hamner, Mask and Materiality in Ousmane Sembène’s Black Girl
Jayson Baker, Black Girl and Global Media Culture
Eddy Troy, Images at Work: Ousmane Sembène’s Feminist Film Aesthetics
Savrina Chinien, Ousmane Sembène: The Throes of Postcolonialism?
Edited by Raquel Schefer and Sérgio Dias Branco
Salomé Lopes Coelho, Mariana Cunha & Angela Prysthon, Nature/Ch’ixi/Culture and the Cinemas of Latin America: An Introduction
Angela Prysthon & Lucca Nicoleli, Botanical Offerings, Plants as Gifts, Experimental Cinema and the World of Claudio Caldini
Paula Bertúa, Herbaria : Essays for a Material and Postnaturalist Memory of Botany and Film
Salomé Lopes Coelho, Los ritmos de la materia más-que-humana en la serie de films eco-revelados Metarretratos, de Azucena Losana
Salomé Lopes Coelho, De la planta a la pantalla: Diálogo con Azucena Losana a partir de su proyecto Metarretratos
Catarina Andrade & Álvaro Brito, Re-existence Through Cosmopoetics: A Decolonial Approach to Contemporary Cinema
Marcos Aurélio Felipe, ETÃN BË TALI BU: apontamentos sobre dimensões cosmofílmicas indígenas de Abya Yala
Constanza Ceresa, El cine como una experiencia situada: entrevista a Jeannette Muñoz
Federico Windhausen, Slow Onset: A Brief Consideration of Guillermo Moncayo’s Echo Chamber
Pedro Bezerra Melo, Irreconciliado e insubmissio: a estética do Colectivo Los Ingrávidos
Sebastian Wiedemann & Byron Davies, Ecologías post-naturales del cine experimental latinoamericano reciente: un diálogo
Erin Wilkerson, Feral Filmmaking: Wilding Cinema as a Decolonial Act
Pedro Urano, Becoming moita
Edited by Salomé Lopes Coelho, Mariana Cunha, Angela Prysthon
« La bonne distance, le sens du sacré ». Conversation avec Régis Hébraud, Raquel Schefer et Salomé Lopes Coelho
Mark Rappaport, MY VOLCANO/YOUR VOLCANO
Vanessa Nicolazic, Vincent Sorrel & Nicolas Tixier, Flaner les rues, relier des lieux. Les bal(l)ades grenobloises d’Aaton
Toni D’Angela, Come in uno specchio. Da Godard a Godard