La piuma e il colibrì. Su Here di Robert Zemeckis / Gino Frezza
Chronicles
Of roots and the void in-between
The things we learn from plants / Elisa Mancioli in conversation with Michael Marder
Intersezionalità, rappresentazioni, posizionamenti. Una conversazione a partire da Caliban and the Witch di Silvia Federici
Elisa Mancioli
Carlotta Cossutta
Intersectionality, representations, positionings. A conversation starting from Silvia Federici’s Caliban and the Witch
Intersectionality, representations, positionings. A conversation starting from Silvia Federici’s Caliban and the Witch
Elisa Mancioli
Carlotta Cossutta
Nature of Disappearance: Parallel I-IV, by Harun Farocki
About Harun Farocki’s Parallel I-IV
Behind every image, something has disappeared. And that is the source of its fascination. Behind virtual reality in all its forms (telematics, IT, digitization, etc.), the real has disappeared. And that is what fascinates everyone. According to the official version, we worship the real and the reality principle, but – and this is the source of all the current suspense – is it, in fact, the real we worship or its disappearance?
Second Life/Afterlife
Raymond Bellour sur Chris Marker et Victor Burgin.
Dans son essai sur Chris Marker et La Jetée, Victor Burgin démarque par trois fois en début de paragraphe la phrase liminaire du film (“La Jetée est l’histoire d’un homme marqué par une image d’enfance”), déjà attestée d’emblée sous sa forme originale par la reproduction d’un photogramme : “Ceci est l’histoire d’un homme marqué par une image d’enfance.”
Solidarity in practice: Algiers’ Red Years
Cultural expression was a major element of resistance in the Third World. The intertwining of armed struggle and cultural production was assumed on many levels.