Cronenberg articulated a more dialectical position, describing himself not as an atheist but as a materialist — one for whom existence is defined by the physical and the tangible rather than the transcendent.
Cronenberg’s cinema has always been grounded in this uncompromising materialism.
Ousmane Sembène’s cinema emerged after Senegal became independent from the French colonial empire. His works are not limited to observing the post-colonial reality, taking it as a starting point. They critically portray the colonial past. They seek to construct a post-colonialist perspective, analyzing the lasting impact of colonialism in the post-colonial period even when the […]