R. Bruce Elder

In the first part of this three-part essay, I outlined my reasons for embracing the (admittedly contentious) idea that at the age of twenty-eight, the philosopher—actually, the religio-philosopher—Plotinus (204/5–270 C.E.) experienced, quite without preparation, his first episode of altered consciousness, or, as he describes it, his first unification with ultimate reality, variously referred to as τὸ Ἕν (to En, the One), or πηγή (Pigi, the Source or Fount of all reality), or the μονάς (Monas, the Monad).

R. Bruce Elder
This essay examines one tradition within the multifaceted efforts to reconcile pagan classical thought with Christianity, a tradition that spanned the centuries from the Renaissance to the eighteenth century (though some modernists artists, for example Friedrich Nietzsche and Ezra Pound, continued it into the late-nineteenth and early twentieth centuries).

Poetry and community or, what is wrong with the West’s conception of artmaking? Learning from the poetry of Chinese Women Perhaps, as Oskar Kristeller’s renowned essay has it, in ancient cultures, there was no philosophical discipline equivalent to the modern discipline of aesthetics.1 What is nevertheless uncontestable is that pre-Classical and Classical philosophers reflected on […]

Bruce Baillie’s notes for Quick Billy, from the booklet accompanying the DVD of the film (photo courtesy of R. Bruce Elder) Quick Billy (1971) offered me lessons in autobiography. One way of experiencing Bruce Baillie’s masterpiece is as an example of a type of art that has attracted attention over the past few years: The […]